Apple motion 5 course free

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Unable to get into the locked storm shelter , Dorothy takes cover in the farmhouse and is knocked out by a shattered window. The tornado lifts the house and drops it on an unknown land. Dorothy awakens and is greeted by short people known as Munchkins, and a \”good\” witch named Glinda, who explains Dorothy is in Munchkinland in the land of Oz.

The Munchkins are celebrating because the house landed on the Wicked Witch of the East. Her sister, the Wicked Witch of the West, appears in a puff of smoke. Before she can seize her deceased sister\’s ruby slippers, Glinda magically transports them onto Dorothy\’s feet and tells her to keep them on, as they must be very powerful.

Because the Wicked Witch has no power in Munchkinland, she leaves in another puff of smoke, but only after telling Dorothy, \”I\’ll get you, my pretty, and your little dog too!

Dorothy is directed to follow a yellow brick road that goes to the Emerald City, the Wizard\’s home. Along the way, she meets the Scarecrow, who wants a brain; the Tin Man, who desires a heart; and the Cowardly Lion, who lacks courage. The foursome and Toto eventually reach the Emerald City, despite the best efforts of the Wicked Witch. Dorothy is initially denied an audience with the Wizard by his doorman. The doorman, however, relents and the four are led into the Wizard\’s chambers.

The Wizard appears as a giant ghostly head and tells them he will grant their wishes if they bring him the Wicked Witch\’s broomstick.

During their quest, Dorothy is captured by flying monkeys and taken to the Wicked Witch, but the ruby slippers protect her.

They are cornered by the Witch, who sets fire to the Scarecrow. When Dorothy throws a bucket of water onto the Scarecrow, she inadvertently splashes the Witch, which causes her to melt away.

The Witch\’s guards gratefully give Dorothy her broomstick. The four return to the Wizard, but he tells them to return tomorrow. When Toto pulls back a curtain, the Wizard is revealed to be just an ordinary man, operating machinery that projects the ghostly image of his face. The four travelers confront him, upon which he confesses that he, like Dorothy, accidentally arrived in Oz from America. He then \”grants\” the wishes of Dorothy\’s three friends by giving them tokens that symbolize that they always had the qualities they sought.

The Wizard offers to take Dorothy back to Kansas with him aboard his hot air balloon. However, after Toto jumps off and Dorothy goes after him, the balloon accidentally lifts off with just the Wizard aboard. Glinda reappears and tells Dorothy she always had the power to return to Kansas with the help of the ruby slippers, but had to find that out for herself.

After sharing a tearful farewell with her friends, Dorothy heeds Glinda\’s instructions by tapping her heels three times and repeating the words, \”There\’s no place like home.

She awakens in her bed with a washcloth on her injured head and is attended to by her aunt, uncle and the farm hands. Professor Marvel stops by as Dorothy describes Oz, telling the farm hands and the Professor they were there too. The actors who portrayed Marvel and the farmhands also played the characters in Oz. Unfazed by their disbelief, Dorothy gratefully exclaims, \”There\’s no place like home!

Production on the film began when Walt Disney \’s Snow White and the Seven Dwarfs showed that films adapted from popular children\’s stories and fairytale folklore could still be successful. Goldwyn had toyed with the idea of making the film as a vehicle for Eddie Cantor , who was under contract to Samuel Goldwyn Productions and whom Goldwyn wanted to cast as the Scarecrow.

The script went through several writers and revisions before the final shooting. Cannon , had submitted a brief four-page outline. In his outline, the Scarecrow was a man so stupid that the only employment open to him was literally scaring crows from cornfields. Also in his outline, the Tin Woodman was a criminal so heartless that he was sentenced to be placed in a tin suit for eternity. This torture softened him into somebody gentler and kinder. Afterward, LeRoy hired screenwriter Herman J.

Mankiewicz , who soon delivered a page draft of the Kansas scenes. A few weeks later, Mankiewicz delivered a further 56 pages. None of these three knew about the others, and this was not an uncommon procedure.

Nash delivered a four-page outline; Langley turned in a page treatment and a full film script. Langley then turned in three more scripts, this time incorporating the songs written by Harold Arlen and Yip Harburg. Florence Ryerson and Edgar Allan Woolf submitted a script and were brought on board to touch up the writing.

They were asked to ensure that the story stayed true to Baum\’s book. However, producer Arthur Freed was unhappy with their work and reassigned it to Langley. Jack Haley and Bert Lahr are also known to have written some of their dialogue for the Kansas sequence. They completed the final draft of the script on October 8, , following numerous rewrites. So anyhow, Yip also wrote all the dialogue in that time and the setup to the songs and he also wrote the part where they give out the heart, the brains, and the nerve, because he was the final script editor.

And he — there was eleven screenwriters on that — and he pulled the whole thing together, wrote his own lines and gave the thing a coherence and unity which made it a work of art. But he doesn\’t get credit for that. He gets lyrics by E. Harburg, you see. But nevertheless, he put his influence on the thing. The original producers thought that a audience was too sophisticated to accept Oz as a straight-ahead fantasy; therefore, it was reconceived as a lengthy, elaborate dream sequence.

Because they perceived a need to attract a youthful audience by appealing to modern fads and styles, the score had featured a song called \”The Jitterbug\”, and the script had featured a scene with a series of musical contests. A spoiled, selfish princess in Oz had outlawed all forms of music except classical music and operetta. The princess challenged Dorothy to a singing contest, in which Dorothy\’s swing style enchanted listeners and won the grand prize. This part was initially written for Betty Jaynes , [22] but was later dropped.

Another scene, which was removed before final script approval and never filmed, was an epilogue scene in Kansas after Dorothy\’s return. Hunk the Kansan counterpart to the Scarecrow is leaving for an agricultural college, and extracts a promise from Dorothy to write to him. The scene implies that romance will eventually develop between the two, which also may have been intended as an explanation for Dorothy\’s partiality for the Scarecrow over her other two companions.

This plot idea was never totally dropped, but is especially noticeable in the final script when Dorothy, just before she is to leave Oz, tells the Scarecrow, \”I think I\’ll miss you most of all. Much attention was given to the use of color in the production, with the MGM production crew favoring some hues over others.

It took the studio\’s art department almost a week to settle on the shade of yellow used for the Yellow Brick Road. Several actresses were reportedly considered for the part of Dorothy, including Shirley Temple from 20th Century Fox , at the time, the most prominent child star; Deanna Durbin , a relative newcomer, with a recognised operatic voice; and Judy Garland , the most experienced of the three. Officially, the decision to cast Garland was attributed to contractual issues.

Now unhappy with his role as the Tin Man reportedly claiming, \”I\’m not a tin performer; I\’m fluid\” , Bolger convinced producer Mervyn LeRoy to recast him in the part he so desired. Fields was originally chosen for the title role of the Wizard after Ed Wynn turned it down, considering the part \”too small\” , but the studio ran out of patience after protracted haggling over Fields\’ fee. Wallace Beery lobbied for the role, but the studio refused to spare him during the long shooting schedule.

Instead, another contract player, Frank Morgan , was cast on September Veteran vaudeville performer Pat Walshe was best known for his performance as various monkeys in many theater productions and circus shows.

An extensive talent search produced over a hundred little people to play Munchkins; this meant that most of the film\’s Oz sequences would have to already be shot before work on the Munchkinland sequence could begin.

Meinhardt Raabe , who played the coroner, revealed in the documentary The Making of the Wizard of Oz that the MGM costume and wardrobe department, under the direction of designer Adrian , had to design over costumes for the Munchkin sequences.

They photographed and cataloged each Munchkin in their costume so they could consistently apply the same costume and makeup each day of production. Gale Sondergaard was originally cast as the Wicked Witch of the West, but withdrew from the role when the witch\’s persona shifted from sly and glamorous thought to emulate the Evil Queen in Disney\’s Snow White and the Seven Dwarfs to the familiar \”ugly hag\”.

Sondergaard said in an interview for a bonus feature on the DVD that she had no regrets about turning down the part. Sondergaard would go on to play a glamorous feline villainess in Fox \’s version of Maurice Maeterlinck \’s The Blue Bird in According to Aljean Harmetz, the \”gone-to-seed\” coat worn by Morgan as the Wizard was selected from a rack of coats purchased from a second-hand shop. According to legend, Morgan later discovered a label in the coat indicating it had once belonged to Baum, that Baum\’s widow confirmed this, and that the coat was eventually presented to her.

But Baum biographer Michael Patrick Hearn says the Baum family denies ever seeing the coat or knowing of the story; Hamilton considered it a rumor concocted by the studio. Thorpe initially shot about two weeks of footage, nine days in total, involving Dorothy\’s first encounter with the Scarecrow, and a number of sequences in the Wicked Witch\’s castle, such as Dorothy\’s rescue, which, though unreleased, includes the only footage of Buddy Ebsen \’s Tin Man.

The production faced the challenge of creating the Tin Man\’s costume. Several tests were done to find the right makeup and clothes for Ebsen. He was hospitalized in critical condition and was subsequently forced to leave the project.

In a later interview included on the DVD release of The Wizard of Oz , he recalled that the studio heads appreciated the seriousness of his illness only after he was hospitalized.

Filming halted while a replacement for him was sought. No footage of Ebsen as the Tin Man has ever been released — only photos taken during filming and makeup tests. His replacement, Jack Haley , assumed Ebsen had been fired. Although it did not have the same dire effect on Haley, he did at one point suffer an eye infection from it. LeRoy, after reviewing the footage and feeling Thorpe was rushing the production, adversely affecting the actors\’ performances, had Thorpe replaced. During reorganization on the production, George Cukor temporarily took over under LeRoy\’s guidance.

Initially, the studio had made Garland wear a blond wig and heavy \”baby-doll\” makeup, and she played Dorothy in an exaggerated fashion. Cukor changed Garland\’s and Hamilton\’s makeup and costumes, and told Garland to \”be herself\”. This meant that all the scenes Garland and Hamilton had already completed had to be reshot.

Cukor did not shoot any scenes for the film, but acted merely as a creative advisor to the troubled production. His prior commitment to direct Gone with the Wind required him to leave on November 3, , when Victor Fleming assumed directorial responsibility.

As director, Fleming chose not to shift the film from Cukor\’s creative realignment, as producer LeRoy had already expressed his satisfaction with the film\’s new course. Production on the bulk of the Technicolor sequences was a long and exhausting process that ran for over six months, from October to March Most of the cast worked six days a week and had to arrive as early as 4 a.

Bolger later said that the frightening nature of the costumes prevented most of the Oz principals from eating in the studio commissary; [33] and the toxicity of Hamilton\’s copper-based makeup forced her to eat a liquid diet on shoot days.

All the Oz sequences were filmed in three-strip Technicolor. The film was not the first to use Technicolor, which was introduced in The Gulf Between In Hamilton\’s exit from Munchkinland, a concealed elevator was installed to lower her below stage level, as fire and smoke erupted to dramatize and conceal her exit.

The first take ran well, but on the second take, the burst of fire came too soon. The flames set fire to her green, copper-based face paint, causing third-degree burns to her hands and face.

She spent three months recuperating before returning to work. Because of Hamilton\’s burns, makeup artist Jack Young removed the makeup with alcohol to prevent infection.

The next day, the studio assigned Fleming\’s friend, King Vidor , to finish directing The Wizard of Oz mainly the early sepia-toned Kansas sequences, including Garland\’s singing of \” Over the Rainbow \” and the tornado.

Although the film was a hit on its release, Vidor chose not to take public credit for his contribution until Fleming died in Since the film has been released, credible stories have come out indicating that Judy Garland endured extensive abuse during and before filming from various parties involved. There were claims that various members of the cast pointed out her breasts and made other lewd comments. The director Victor Fleming slapped her during the Cowardly Lion\’s introduction scene when Garland could not stop laughing at Lahr\’s performance.

Once the scene was done, Fleming, reportedly ashamed of himself, ordered the crew to punch him in the face. Garland, however, kissed him instead.

Arnold Gillespie , the film\’s special effects director, employed several visual-effect techniques. Gillespie used muslin cloth to make the tornado flexible, after a previous attempt with rubber failed.

He hung the 35 ft 11 m of muslin from a steel gantry and connected the bottom to a rod. By moving the gantry and rod, he was able to create the illusion of a tornado moving across the stage. Fuller\’s earth was sprayed from both the top and bottom using compressed air hoses to complete the effect. Dorothy\’s house was recreated using a model.

The Cowardly Lion and Scarecrow masks were made of foam latex makeup created by makeup artist Jack Dawn. Dawn was one of the first to use this technique. The Tin Man\’s costume was made of leather-covered buckram , and the oil used to grease his joints was made from chocolate syrup.

The Wizard of Oz is famous for its musical selections and soundtrack. Its songs were composed by Harold Arlen , with lyrics by Yip Harburg.

The song ranks first in the AFI\’s Years Georgie Stoll was associate conductor, and screen credit was given to George Bassman , Murray Cutter , Ken Darby and Paul Marquardt for orchestral and vocal arrangements. As usual, Roger Edens was also heavily involved as an unbilled musical associate to Freed.

The songs were recorded in the studio\’s scoring stage before filming. Several of the recordings were completed while Ebsen was still with the cast. Although he had to be dropped from the cast because of a dangerous reaction to his aluminum powder makeup, his singing voice remained on the soundtrack as mentioned in the notes for the CD Deluxe Edition. He can be heard in the group vocals of \”We\’re Off to See the Wizard\”.

Bolger\’s original recording of \” If I Only Had a Brain \” was far more sedate than the version in the film. During filming, Cukor and LeRoy decided a more energetic rendition better suited Dorothy\’s initial meeting with the Scarecrow, and it was rerecorded. The original version was considered lost until a copy was discovered in The song \”The Jitterbug\”, written in a swing style, was intended for a sequence where the group journeys to the Witch\’s castle.

Owing to time constraints, it was cut from the final theatrical version. The film footage of the song has been lost, although silent home-film footage of rehearsals has survived. A reference to \”The Jitterbug\” remains in the film: The Witch tells her flying monkeys that they should have no trouble apprehending Dorothy and her friends because \”I\’ve sent a little insect on ahead to take the fight out of them.

Another musical number cut before release came right after the Wicked Witch of the West was melted and before Dorothy and her friends returned to the Wizard. This was a reprise of \”Ding-Dong!

The witch is dead! The Wicked Witch is dead! Today, the film of this scene is also lost, and only a few stills survive, along with a few seconds of footage used on several reissue trailers. The entire audio track was preserved and is included on the two-CD Rhino Record \”deluxe\” soundtrack edition. Garland was to sing a brief reprise of \”Over the Rainbow\” while Dorothy was trapped in the Witch\’s castle, but it was cut because it was considered too emotionally intense.

The original soundtrack recording still exists, and was included as an extra in all home media releases from onward. Extensive edits in the film\’s final cut removed vocals from the last portion of the film. However, the film was fully underscored , with instrumental snippets from the film\’s various leitmotifs throughout. There was also some recognizable classical and popular music, including:. Principal photography concluded with the Kansas sequences on March 16, Reshoots and pickup shots were done through April and May and into June, under the direction of producer LeRoy.

When the \”Over the Rainbow\” reprise was revived after subsequent test screenings in early June, Garland had to be brought back to reshoot the \”Auntie Em, I\’m frightened! The footage of Blandick\’s Aunt Em, as shot by Vidor, had already been set aside for rear-projection work, and was reused.

After Hamilton\’s torturous experience with the Munchkinland elevator, she refused to do the pickups for the scene where she flies on a broomstick that billows smoke, so LeRoy had stunt double Betty Danko perform instead. Danko was severely injured when the smoke mechanism malfunctioned. At this point, the film began a long, arduous post-production. Herbert Stothart composed the film\’s background score, while A. Arnold Gillespie perfected the special effects, including many of the rear-projection shots.

The MGM art department created matte paintings for many scene backgrounds. A significant innovation planned for the film was the use of stencil printing for the transition to Technicolor.

Each frame was to be hand-tinted to maintain the sepia tone. However, it was abandoned because it was too expensive and labor-intensive, and MGM used a simpler, less-expensive technique: During the May reshoots, the inside of the farmhouse was painted sepia, and when Dorothy opens the door, it is not Garland, but her stand-in, Bobbie Koshay, wearing a sepia gingham dress, who then backs out of frame.

Once the camera moves through the door, Garland steps back into frame in her bright blue gingham dress as noted in DVD extras , and the sepia-painted door briefly tints her with the same color before she emerges from the house\’s shadow, into the bright glare of the Technicolor lighting.

This also meant that the reshoots provided the first proper shot of Munchkinland. If one looks carefully, the brief cut to Dorothy looking around outside the house bisects a single long shot, from the inside of the doorway to the pan-around that finally ends in a reverse-angle as the ruins of the house are seen behind Dorothy and she comes to a stop at the foot of the small bridge. Test screenings of the film began on June 5, In , the average film ran for about 90 minutes. LeRoy and Fleming knew they needed to cut at least 15 minutes to get the film down to a manageable running time.

The Witch Is Dead \”, and a number of smaller dialogue sequences. This left the final, mostly serious portion of the film with no songs, only the dramatic underscoring. MGM felt that it made the Kansas sequence too long, as well as being far over the heads of the target audience of children. The studio also thought that it was degrading for Garland to sing in a barnyard. LeRoy, uncredited associate producer Arthur Freed and director Fleming fought to keep it in, and they eventually won.

The song went on to win the Academy Award for Best Original Song , and came to be identified so strongly with Garland herself that she made it her signature song. After the preview in San Luis Obispo in early July, the film was officially released in August at its current minute running time. They continued to perform there after each screening for a week. Garland extended her appearance for two more weeks, partnered with Rooney for a second week and with Oz co-stars Ray Bolger and Bert Lahr for the third and final week.

The film opened nationwide on August 25, It was repeated on December 13, , and gained an even larger television audience, with a Nielsen rating of The film\’s first LaserDisc release was in In , there were two releases for the 50th anniversary, one from Turner and one from The Criterion Collection , with a commentary track.

LaserDiscs came out in and , and the final LaserDisc was released September 11, It contained no special features or supplements. The DVD also contained a behind-the-scenes documentary, The Wonderful Wizard of Oz: The Making of a Movie Classic , produced in and hosted by Angela Lansbury , which was originally shown on television immediately following the telecast of the film. It had been featured in the \”Ultimate Oz\” LaserDisc release.

The Newton Project. Archived from the original on 9 October Retrieved 6 October Turnbull, Cambridge University Press ; at p. Cambridge: Cambridge University Press. MacMillan St. Martin\’s Press. December Query 8. Optics and Photonics News. Bibcode : OptPN.. Archived PDF from the original on 17 February Retrieved 17 February Popular Science Monthly Volume 17, July. Mathematical Papers of Isaac Newton, — Physical Chemistry: Multidisciplinary Applications in Society.

Amsterdam: Elsevier. Archived from the original on 10 March Retrieved 1 March Hatch, University of Florida. Archived from the original on 2 August Retrieved 13 August Archived from the original on 27 January Retrieved 20 January Archived from the original on 9 July The Daily Telegraph.

Archived from the original on 10 January Retrieved 7 September Crime Fighter? Science Friday. Archived from the original on 1 November Retrieved 1 August Newton and the counterfeiter: the unknown detective career of the world\’s greatest scientist.

Houghton Mifflin Harcourt. Historic Heraldry of Britain 2nd ed. London and Chichester: Phillimore. London: Taylor and Co. History Channel. Archived from the original on 19 August Retrieved 18 August ; and Barnham, Kay Isaac Newton. Royal Numismatic Society.

April — January Cambridge Historical Journal. Georgia Tech Research News. Archived from the original on 17 February Retrieved 30 July Business Insider. Archived from the original on 25 March Retrieved 21 December John Keble \’s Parishes — Chapter 6.

Archived from the original on 8 December Retrieved 23 September The London Gazette. Cartesian Empiricism. Eric Weisstein\’s World of Biography. Eric W. Retrieved 30 August Archived from the original on 11 September Retrieved 25 April A Mathematical and Philosophical Dictionary. Letters on England.

A Philosophical and Mathematical Dictionary Containing Archived from the original on 17 June Retrieved 11 September New York: Random House. Janus database. Archived from the original on 1 July Retrieved 22 March Online Archive of California. Archived from the original on 31 May Newton: Understanding the Cosmos. Translated by Paris, I. Archived from the original on 21 December Retrieved 18 October National Geographic News. Archived from the original on 9 January Retrieved 5 January Journal of the Royal Society of Medicine.

Archived from the original on 18 June Retrieved 29 September Rice University. Archived from the original on 29 September Retrieved 5 July The British Journal for the History of Science. William Blake Archive.

Archived from the original on 27 September Retrieved 25 September Isaaci Newtoni Opera quae exstant omnia. London: Joannes Nichols. Archived from the original on 14 April Meier, A Marginal Jew , v. Query Natural History Magazine. Archived from the original on 6 September Retrieved 7 January The author\’s final comment on this episode is:\”The mechanization of the world picture led with irresistible coherence to the conception of God as a sort of \’retired engineer\’, and from here to God\’s complete elimination it took just one more step\”.

David Brewster. The Newtonians and the English Revolution: — Cornell University Press. Science and Religion in Seventeenth-Century England. New Haven: Yale University Press. In Martin Fitzpatrick ed. Associated Press. Archived from the original on 13 August In Heinlein, Robert A. Tomorrow, the Stars 16th ed. First published in Galaxy magazine, July ; Variously titled Appointment in Tomorrow ; in some reprints of Leiber\’s story the sentence \’That was the pebble..

Chemical Heritage Magazine. Archived from the original on 20 March Archived from the original on 13 April National Geographic. Archived from the original on 26 April The Newton papers : the strange and true odyssey of Isaac Newton\’s manuscripts. Oxford: Oxford University Press. Indiana University, Bloomington. Literary Review. Archived from the original on 7 March Retrieved 6 March Princeton University Press.

The Guardian. Archived from the original on 6 June Retrieved 6 June Lagrange\”, Oeuvres de Lagrange I. Paris, , p. Archived from the original on 9 August Retrieved 19 January The Royal Society.

Archived from the original on 13 July Retrieved 24 August Einstein voted \’greatest physicist ever\’ by leading physicists; Newton runner-up\”. BBC News. Archived from the original on 12 August Retrieved 17 January The Sydney Morning Herald. Archived from the original on 28 November National Heritage List for England.

Retrieved 5 October The New York Times. Archived from the original on 20 January Retrieved 12 July Guinness World Records Open Court Publishing. London, England: Samuel Jallasson. Archived from the original on 14 June Retrieved 14 June From p. Oeuvres completes de Voltaire [ The complete works of Voltaire ] in French. Basel, Switzerland: Jean-Jacques Tourneisen. Retrieved 15 June The Myths of Innovation.

O\’Reilly Media, Inc. New Scientist. Archived from the original on 21 January Retrieved 10 May The Art of Science. Pan Macmillan. Archived from the original on 14 March Imperial College London. Archived from the original on 7 November Bernard Cohen and George E.

Smith, eds. The Cambridge Companion to Newton p. Archived from the original on 1 December Retrieved 20 December Westminster Abbey. Archived from the original on 16 October Retrieved 13 November Bank of England. Archived from the original on 5 May Retrieved 27 August Ideology and International Relations in the Modern World. The Chymistry of Isaac Newton.

Archived from the original on 17 January Transcribed and online at Indiana University. Archived from the original on 31 March Retrieved 16 March Joannes Nichols, Isaaci Newtoni Opera quae exstant omnia , vol.

Mark P. Opticks or, a Treatise of the reflexions, refractions, inflexions and colours of light. Also two treatises of the species and magnitude of curvilinear figures. Archived from the original on 24 February Retrieved 17 March Mathematical Association of America. Archived from the original on 28 June Ball, W. Rouse A Short Account of the History of Mathematics.

New York: Dover. Christianson, Gale New York: Free Press. This well documented work provides, in particular, valuable information regarding Newton\’s knowledge of Patristics Craig, John Bibcode : Natur. Craig, John Gjertsen, Derek The Newton Handbook. Levenson, Thomas Mariner Books. Manuel, Frank E A Portrait of Isaac Newton.

Stewart, James Calculus: Concepts and Contexts. Cengage Learning. Westfall, Richard S. Never at Rest. The Life of Isaac Newton. White, Michael Isaac Newton: The Last Sorcerer. Fourth Estate Limited. Newton, Isaac.

University of California Press , Brackenridge, J. The Optical Papers of Isaac Newton. Opticks 4th ed. New York: Dover Publications. Newton, I. Motte, rev. A careful read reveals the company is ready to take all the data it can from you, including health, activity, camera use, local storage, phone dialer, where you touch your screen, sleep data, nutrition data, among other data points.

While all privacy policies differ, there is similar language from other insurance programs. Eyewear and Contacts Grab a backup pair or a sweet new accessory with sales this entire month. Those caveats aside, here are the devices and deals on offer from various providers.

 
 

Apple motion 5 course free

 

A recession may be on the way. Now is the time to develop a game plan for your sales organization that focuses on investments in tools, training, and effective sales tactics. We answer some basic questions about what Salesforce does, what Salesforce CRM software is used for, and how Salesforce works.

Get ready, Trailblazers. We\’ve got some serious celebrating to do. Join us at Dreamforce in September for learning, inspiration, connection, and fun! Tools like self-service storefronts and automatic product recommendations will keep customers satisfied and improve your operating margins.

These recent winners at Cannes Lions reinforce the powerful idea that business can create the changes we need in the world right now.

Data is no longer just a competitive advantage. It is critical to the health—and often the survival—of an organization. What can a Customer Data Platform do for your brand? CDPs connect customer data so every team has insight into how a customer interacts with you on every platform.

Marketers have grown reliant on third-party ad tracking and cookies, but the news is this: First-party data and back-to-basics strategies will yield more bang for your buck. How can you maintain trust with your teams and customers in the middle of a global trust crisis?

Watch out for three common pitfalls. Lots of people waste lots of time doing things that don\’t add value to their jobs or the business. Data literacy is a key driver of employee happiness, productivity, and innovation, but most employees say they lack this key skill. Here\’s why it\’s become more important than ever to change that. Marketing guru Seth Godin and Salesforce vice president and global innovation evangelist Brian Solis offer their take on how to build customer trust.

Companies are desperate to hire tech workers. Some are starting apprenticeship programs to fill the gap and create loyal employees. Expert insights and practical how-tos to help you develop your career, connect with Trailblazers, learn Salesforce, and earn certifications. Ask The Trailblazer is an equality-first social series for those who are getting certified, landing their dream job in the Salesforce ecosystem, and sharing their experiences with other Trailblazers to follow.

Planning to take a Salesforce Certification exam? Discover the best advice from Salesforce pros to help you prepare, and keep you calm and confident, for your test day. Yes, I would like to receive the Salesforce Weekly Brief as well as marketing communications regarding Salesforce products, services, and events.

I can unsubscribe at any time. Salesforce values your privacy. To learn more, visit our Privacy Statement. New to Salesforce? About Salesforce.

Popular Links. All rights reserved. Various trademarks held by their respective owners. Salesforce, Inc. Sales Jen Gustavson. Retail Caila Schwartz. Salesforce Platform Jody Farrar. Dreamforce Lisa Lee. Commerce Andy Peebler. Business as a Platform for Change Colin Fleming. Editors\’ Picks 1.

Carolyn Warsham. Ari Bendersky. Rob Garf. Featured Series Data Culture Data is no longer just a competitive advantage. See All Stories. Salesforce Staff. Jackie Yeaney. Featured Voices. Carolyn Warsham Director, Brand Editorial. Leadership Jesse Sostrin. Automation Lisa Lee. Data Culture Lisa Lee. Customer Relationships Ari Bendersky. Salesforce Learning Lisa Lee. View All Recent Stories.

Featured Series Trailblazer Expert insights and practical how-tos to help you develop your career, connect with Trailblazers, learn Salesforce, and earn certifications. Jaylena Lomenech. Mac McConnachie. Commerce 16 hours ago Jon Feldman.

July 29, Kemberly Gong. June 14, Molly Q. IT July 29, Jacinta Burke. June 2, Sara Fefferman. Marketing July 29, Megan Yu. July 28, Heidi Robbins. Salesforce Platform July 29, Jody Farrar. July 28, Shirin Birjandi.

Get the latest stories from The Blog, every week. Email Enter a valid e-mail address. Please read and agree to the Master Subscription Agreement. You\’re subscribed! What is Salesforce?

 

Golf – Wikipedia.Getting Started in Motion – Ripple Training

 
Learn Apple Motion today: find your Apple Motion online course on Udemy. Featured course. Apple Motion 5: Create Titles for Final Cut X. Apple\’s Motion is a powerful app for making animations and visual effects for your video and film projects. Master all the basics (and more!) in this course, by.